Journal
How we work, told from the inside: method, timing and choices behind the images.
Portraits with Fujifilm X-T5 and Sigma 56mm f/1.4: young glass bead artisans
How we portrayed the young glass bead artisans for The Place of Wonders Foundation, with a Fujifilm X-T5 and the Sigma 56mm f/1.4 lent by Sigma Italia.
How an opera trailer is made
From rehearsals to editing on the rhythm of the music: how we make trailers for Teatro Regio di Torino productions and the full recording of I puritani on OperaVision.
Who owns event photos? Rights and licences, simply explained
Who is the author of commissioned photos, what the usage licence covers, how to credit the photographer and when a separate agreement is needed.
Documenting an artist residency: how an archive is built
Since 2018 we have documented Creativamente Roero: photos, video and documentaries of the artist residencies, and a digital archive that grows with each edition.
Qualche volta: shooting a fashion film among the buildings of Ivrea
How Qualche volta came about, the fashion film shot in Ivrea with Giorgio Armani garments: choosing Olivetti locations, black and white, the story.
Photographing ballet: the right moment of a leap
Swan Lake with the Riga Opera Ballet at Teatro Regio di Torino: how to photograph dance, between music, body lines and stage light.
How to photograph an opera dress rehearsal
The method we use at Teatro Regio di Torino to photograph dress rehearsals: preparation, silence in the house and press photos by the next morning.
Photographing an architecture festival: places, people, ideas
Festival Architettura Torino 2026 at the former Porta Palazzo Fish Market: how to tell a festival of ideas through talks, exhibitions and a reopening building.
Fujifilm GFX at the opera: medium format put to the test in stage photography
Four days with Fujifilm GFX100S II and GFX100RF for Francesca da Rimini at Teatro Regio di Torino: file quality, high ISO, silence and workflow limits.
An ultra wide for the workshops of Murano: in the field with the Sigma 10-18mm
How an ultra wide lens changed the story of Perle di Luce: the Sigma 10-18mm f/2.8 in the bead workshops of Murano, with practical tips for reportage.
Perle di Luce: from a forgotten factory to the exhibition at Bottega Cini
How Perle di Luce began, the photographic project on Venetian glass beads, UNESCO heritage, and how it reached its first exhibition at Bottega Cini in 2026.
Immersive projections for museums: how an experience is made
From archive to gallery: how we design immersive projections and video installations for museums, with examples from Stupinigi and the Pinacoteca Albertina.
Sigma BF in Venice: a field test during the Perle di Luce workshop
Design, image quality, colour modes and limits of the Sigma BF, tested by eight photographers in Dorsoduro during the Perle di Luce workshop at the Venice Glass Week.
Artissima: a guide for galleries looking for a photographer in Turin
What a gallery needs at Artissima: booth photos at opening, artworks, visitors and quick delivery. A practical guide from a Turin studio.
Installation views: how to photograph a contemporary art exhibition
Corrected perspective, consistent light, faithful colour: how we make installation views for museums, galleries and artists.
Photographing a classical concert without disturbing it
Lang Lang, Martha Argerich, Antonio Pappano: how we photograph classical concerts silently, respecting musicians and audience.
Behind the scenes at the opera, in black and white
Costumes, make-up, waiting in the wings: why we tell the backstage of Turandot and La Juive at Teatro Regio di Torino in black and white.
Photo and film for an art event: what to ask and how long it takes
Openings, performances, residencies: what to ask whoever photographs and films an art event, how to plan it and what to expect at delivery.