Immersive experiences for museums, exhibitions and festivals
Projections, video installations and LED wall content that bring audiences inside the stories.
A painting that opens up in depth, a 17th-century engraving set in motion, a backdrop that accompanies a fashion show for a whole hour: we design video content made for a specific space and for the audience moving through it.
We created the immersive projection Carnival Wonders at the Savoy Court for the Palazzina di Caccia di Stupinigi, the video installations of the Pinacoteca Albertina in Turin and of the Volti nel Volto exhibition, the digital backdrop of the ARWE Festival 2026 fashion show and the films of Perle di Luce, shown at the Venice Glass Week.
We handle every stage: research in archives and artworks, visual language, animation, compositing and sound design, then adaptation to projectors and LED walls, installation and on-site testing with the curators.
Wonders at the court of the Madame Reali, Palazzina di Caccia di Stupinigi
What we create
Immersive projections
Rooms where walls and floors become a story, for exhibitions and visitor routes.
Museum video installations
Video content woven into the exhibition route, from archive materials to artworks.
LED wall content
Backdrops for fashion shows, events and performances, designed for the screen’s format and resolution.
Animated artworks and archives
Paintings, engravings and documents split into layers and animated with depth and parallax.
Installation and testing
Technical adaptation, on-site tests and adjustments with the curator before opening.
From the portfolio
Full portfolio
Carnival Wonders at the Savoy Court
Court festivities from the 16th to the 19th century, in motion

Pinacoteca Albertina: video installations in the museum
Archives and paintings brought to life in the galleries

Volti nel Volto: films for the exhibition
The iconography of the Shroud face in two films

ARWE Festival 2026: digital set for the fashion show
A 60-minute visual backdrop on a panoramic LED wall

Perle di Luce
UNESCO heritage told through the people who keep it alive

The Venice Glass Week, 10th edition
Curated by Camilla Purdon
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Frequently asked questions
Do you also handle projectors and technical set-up?
We design the content around the projectors or LED wall and oversee installation and testing on site. For equipment hire we work with the museum’s technicians or trusted suppliers.
Can you animate artworks and archive materials?
Yes: paintings, engravings, photographs and documents are separated into layers and set in motion, respecting the original work.
How long does it take?
It depends on length and complexity: usually four to ten weeks from project approval to installation.
